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Polyphonic singing3/9/2023 ![]() ![]() Cabe señalar que Rosario, es una ciudad portuaria que vio descender inmigrantes que la poblaron y reescribieron, mezcla de cantos lejanos que comenzaron a sonar en las tareas cotidianas, mixtura de tradiciones culturales ajenas que en un parpadear borraron las fronteras, y que tal vez por su amor al río, o por la necesidad de decir que ofrece el género de los orientales, desde hace menos de una década vio cómo en la ciudad resoplaron vientos murgueros. Uno de los lugares donde este fenómeno ha tenido mayor repercusión en la Argentina es en el sur de Santa Fe, principalmente en la ciudad de Rosario. ![]() Aunque tengan un mismo nombre en común, la morfología de la murga en ambas veras del río es diferente sin embargo, cada vez es más recurrente encontrar en Argentina agrupaciones de carnaval que se apropian del género de murgas a la uruguaya. El río de la plata las vio nacer: al Oeste, sobre Buenos Aires, nacieron las que hoy son reconocidas como de estilo “porteño”, y al este, en la hermana ciudad de Montevideo, las denominadas “uruguayas”. ![]() Through this process, it came to be recognized as one indicator of a society in crisis.Īsí como en Brasil año a año se preparan las escolas de samba, o a Venecia se la reconoce por su carnaval de mascaras, en América del Sur existen agrupaciones artísticas de carnaval conocidas como “murgas”. In this way, the Teatro de los Tablados transformed into a transgressive and subversive site. I will analyze how the political situation led certain songwriters to infuse the genre with disguised content to speak to audiences about violence and the abuses of those in power. Between 19, Uruguay witnessed the transformation of carnival into a “strident voice of collective consciousness.” In fact, this site of popular expression should not be considered as a “safety valve” that turns attention away from social conditions but as a “means by which a community may challenge a political order.” This paper comments on Murga, a transcultural phenomenon that, under strict surveillance in the 1970s, transformed into the messenger of an alternative truth while side-stepping censorship and reaffirming the indissoluble link between laugher and the freedom to think and act. The coupling of auditory and visual signals, as well as the ability to render and synchronize different parts on each performer's device makes solfège and various forms of elaborate contrapuntal musical situations accessible to untrained musicians.Societies are led to reinvent forms of communication in times of repression. The conductor's interface, a 2nd type of client (/conductor), controls the global state of the distributed application (e.g. Students typically access the application together, in the same classroom-but each with his/her own device-and request the individual parts of the polyphony corresponding to their tessitura. ), which the students type into the browser of their smart-phone. The server provides a web page accessible by the client through an IP address (e.g. The application presented here, SmartVox, is hosted on a server, either run locally or via the internet. ![]() Recent tests in conservatoires and universities have proved that networked music performances of this sort can foster interest in music reading among various groups of music students. Abstract : This paper proposes to use web technologies in a classroom environment, in order to help singers and/or instrumentalists of all levels read and perform polyphonic music. ![]()
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